{"id":29,"date":"2010-11-19T18:06:10","date_gmt":"2010-11-19T23:06:10","guid":{"rendered":"http:\/\/kuny.ca\/blogs\/?p=29"},"modified":"2010-11-19T22:01:41","modified_gmt":"2010-11-20T03:01:41","slug":"paul-muldoon","status":"publish","type":"post","link":"http:\/\/kuny.ca\/blogs\/2010\/29\/poems\/paul-muldoon\/","title":{"rendered":"Paul Muldoon &#8211; Sillyhow Stride"},"content":{"rendered":"<p><em>In memory of Warren Zevon<\/em><\/p>\n<p>I<\/p>\n<p>I want you to tell me if, on Grammy night, you didn&#8217;t get one hell of a kick<br \/>\nout of all those bling-it-ons in their bullet-proof broughams,<br \/>\nall those line-managers who couldn&#8217;t manage a line of coke,<\/p>\n<p>all those Barmecides offering beakers of barm \u2013<br \/>\nif you didn&#8217;t get a kick out of being as incongruous<br \/>\nthere as John Donne at a Junior Prom.<\/p>\n<p>Two graves must hide, Warren, thine and mine corse<br \/>\nwho, on the day we met, happened<br \/>\nalso to meet an individual dragging a full-length cross<\/p>\n<p>along 42nd Street and kept mum, each earning extra Brownie points<br \/>\nfor letting that cup pass. The alcoholic<br \/>\nknows that to enter in these bonds<\/p>\n<p>is to be free, yeah right. The young John Donne who sets a Glock<br \/>\non his dish in the cafeteria<br \/>\nknows that, even as he plots to clean some A&amp;R man&#8217;s clock,<\/p>\n<p>his muse on dromedary<br \/>\ntrots to the Indias of spice and mine<br \/>\nand the Parsi Towers of Silence, even as he buses his tray<\/p>\n<p>with its half-eaten dish of beef chow mein<br \/>\nto the bus-station, he&#8217;s already gone half-way to meet the Space Lab.<br \/>\nThe <em>Space <\/em>Lab (italics mine),<\/p>\n<p>where you worked on how many mint juleps<br \/>\nit takes to make a hangover<br \/>\nwhile playing piano for all those schlubs you could eclipse<\/p>\n<p>and cloud with a wink. I long to talk to some old lover&#8217;s<br \/>\nghost about the night after night you tipped the scales<br \/>\nfor the Everly Brothers,<\/p>\n<p>Frank and Jesse, while learning to inhale<br \/>\nthrough a French inhaler like a child soldier from the Ivory Coast<br \/>\nlearning to parch a locust on a machete, a child soldier who would e-mail<\/p>\n<p>you, at your request,<br \/>\na copy of \u201c Death Be Not Proud \u201d, a child soldier who would hi-lite<br \/>\na locust with a flame. If your grave be broke up again some second guest<\/p>\n<p>to entertain, let it serve as hallowed<br \/>\nground where those young shavers<br \/>\nfrom the Ivory Coast may find their careers, as you found yours, on hold,<\/p>\n<p>where Tim McGraw and OutKast, not to speak of those underachievers<br \/>\nwho don a black hat or a goatee<br \/>\nas a computer screen dons a screen-saver<\/p>\n<p>or the Princeton sky its seventeen-year cicadas,<br \/>\nwill find themselves on hold. You who went searching for a true, plain heart<br \/>\nas an unreconstructed renegade<\/p>\n<p>must have come to believe, with Frank and Jesse, no hate could hurt<br \/>\nour bodies like our love. Another low-down<br \/>\ndirty shame . . . To wicked spirits horrid<\/p>\n<p>shapes assigned . . . Every nickel nudging the nickelodeon.<br \/>\nO wrangling schools . . . O wrangling schools that search what fire<br \/>\nshall burn this world, had none the wit to smell Izaak Walton<\/p>\n<p>pressing down on Donne&#8217;s funeral pyre,<br \/>\nyeah right, to smell the locust parched by that Ivory Coast subaltern,<br \/>\nhad none the wit unto this knowledge to aspire,<\/p>\n<p>that this your fever, the fever that still turns<br \/>\nthe turntable, might be it? For every turn, like every tuning, is open,<br \/>\nevery thorn a durian,<\/p>\n<p>every \u201cbin\u201d a \u201cben\u201d<br \/>\non the outskirts of Jerusalem. Such a pilgrimage were sweet,<br \/>\nWarren, barreling down the autobahn<\/p>\n<p>through West Hollywood<br \/>\nin your little black Corvette (part-barge,<br \/>\npart hermaphrodite brig), our eyes set not on the noted weed<\/p>\n<p>but the noted <em>sea<\/em>weed of Nobu Matsuhisa. Those child soldiers who parch<br \/>\na locust on a machete while tending a .50 caliber<br \/>\nBrowning with a dodgy breech<\/p>\n<p>will know how the blood labors<br \/>\nto beget Matsuhisa-san&#8217;s seared<em> toro<\/em>. At the winter solstice, as I filed<br \/>\npast a band of ticket-scalpers<\/p>\n<p>who would my ruined fortune flout<br \/>\nat Madison Square Garden, I glimpsed a man in a Tibetan<br \/>\ncap, nay-saying a flute,<\/p>\n<p>whom I took at first to be an older Brian Jones, what with his flipping a butane<br \/>\nlighter in my face and saying, \u201cI shall be made thy music . . .\u201d<br \/>\nAt that very moment, quite unbidden,<\/p>\n<p>the ghost of Minoru Yamasaki<br \/>\n(who had trailed me from the bar at Nobu) exhorted me to \u201cTurn them speakers<br \/>\nup full blast now <em>Lucies<\/em>, who scarce seven hours herself unmasks,<\/p>\n<p>is sunk so low as my Twin Towers . . .\u201d. Brian Jones&#8217;s patent winkle-pickers<br \/>\nreflected a patent sky. \u201cAll strange wonders that befell<br \/>\nme while the rest of them recorded <em>Beggars<br \/>\n<\/em><br \/>\n<em>Banquet<\/em> and I was sunk so low in Twickenham, lovers coming with crystal vials<br \/>\nto take my tears . . .\u201d. \u201cI&#8217;ll do my crying in the rain<br \/>\nwith Don and Phil,\u201d<\/p>\n<p>said Yamasaki-san, \u201cI&#8217;ll do my crying with Frank and Jesse waiting for a train . . .<br \/>\nThose lines you wrote about the blood-bath<br \/>\nat my Twin Towers, about the sky being full of carrion,<\/p>\n<p>those were <em>my<\/em> Twin Towers, right?\u201d Brian, meanwhile, continued to puff<br \/>\non the flute as if he were indeed corporeal,<br \/>\nas if he were no less substantial than the elder-pith<\/p>\n<p>nay on which he played a hurry home early<br \/>\nversion of \u201cWalk Right Back\u201d, the \u201cWalk Right Back\u201d<br \/>\nyou yourself had played night after night with Frank and Jesse Everly.<\/p>\n<p>II<\/p>\n<p>I knelt beside my sister&#8217;s bed, Warren, the valleys and the peaks<br \/>\nof the EKGs, the crepusculine X-rays,<br \/>\nthe out-of-date blister-packs<\/p>\n<p>discarded by those child soldiers from the Ivory Coast or Zaire,<br \/>\nand couldn&#8217;t think that she had sunk so low<br \/>\nshe might not make the anniversary<\/p>\n<p>of our mother&#8217;s death from this same cancer, this same quick, quick, slow<br \/>\nconversion of manna to gall<br \/>\nfrom which she died thirty years ago. I knelt and adjusted the sillyhow<\/p>\n<p>of her oxygen mask, its vinyl caul<br \/>\nunlikely now to save Maureen from drowning in her own spit.<br \/>\nI thought of how the wrangling schools<\/p>\n<p>need look no further than her bed<br \/>\nto find what fire shall burn this world \u2013 or that heaven<br \/>\nwhich \u201cis one with\u201d this world \u2013 to find how gold to airy thinness beat<\/p>\n<p>may crinkle like cellophane<br \/>\nin a flame, like cellophane or the flimmerings of gauze<br \/>\nby which a needle is held fast in a vein.<\/p>\n<p>So break off, Warren, break off this last lamenting kiss<br \/>\nas Christ broke with Iscariot<br \/>\nand gave himself to those loosey-goosey<\/p>\n<p>Whisky A Go Going mint julep- and margarita-<br \/>\nand gimlet-grinders, those gin fizz-<br \/>\niognomists. My first guitar, a Cort, and my first amp, a Crate,<\/p>\n<p>I myself had tried to push through a Fuzz Face<br \/>\nor some shit-kicking stomp box<br \/>\ntill I blew every fuse<\/p>\n<p>in Central New Jersey. At the autumnal equinox<br \/>\nas on St Lucies when sunbeams in the east are spread<br \/>\nI&#8217;d pretend the Crate was a Vox<\/p>\n<p>AC-50 Super Twin. I was playing support<br \/>\nfor some star in the unchangeable firmament<br \/>\nin which the flesh, Warren, is merely a bruise on the spirit,<\/p>\n<p>a warm-up for the main event<br \/>\nas the hymnal ushers in the honky-tonk<br \/>\nor the oxygen tent<\/p>\n<p>raises the curtain on the oxygen mask. How well you knew that dank<br \/>\nspot on the outskirts<br \/>\nof Jerusalem where the kids still squeeze between the tanks<\/p>\n<p>to suck the life out of a cigarette,<br \/>\nthe maple-bud in spring like something coming to a head,<br \/>\nsome pill that can&#8217;t be sugared,<\/p>\n<p>another hit<br \/>\nof hooch or horse that double-ties the subtile knot<br \/>\nto which we&#8217;ve paid so little heed<\/p>\n<p>all those years of running amuck in Kent.<br \/>\nGo tell court-huntsmen that the oxygen-masked King will ride<br \/>\nten thousand days and nights<\/p>\n<p>on a stride piano, yeah right,<br \/>\nthrough the hell in which Ignatius of \u201cIgnatius His Conclave\u201d<br \/>\nwas strung out on Mandrax and mandrake root,<\/p>\n<p>ten thousand nights of the \u201cchemical life\u201d<br \/>\n(as Auden styled it, turning the speakers up full blast),<br \/>\nthe \u201cchemical life\u201d that gives way to ten thousand days of rehab and golf<\/p>\n<p>in the afternoon, televangelists,<br \/>\npush up and bench press with Buddhist and Parsi,<br \/>\nten thousand days after which you realized<\/p>\n<p>the flesh is indeed no more than a bruise<br \/>\non the spirit. The werewolf with the Japanese menu in his hand,<br \/>\nkeen as he was to show his prowess<\/p>\n<p>with the chopsticks, realized it ain&#8217;t<br \/>\nthat pretty, ain&#8217;t that pretty at all<br \/>\nto be completely wasted when you&#8217;re testing your chops, hint hint,<\/p>\n<p>on a Gibson Les Paul<br \/>\noverdriven through a Fender Vibratone,<br \/>\nain&#8217;t that pretty to crawl<\/p>\n<p>to Ensenada for methadone.<br \/>\nWere we not weaned till then from Mandrax and mandrake<br \/>\nor snorted we in the seven sleepers&#8217; den<br \/>\na line of coke, or wore long sleeves to cover the wreak<br \/>\nof injecting diacetylmorphine?<br \/>\nI was playing a Fender through a Marshall rig<\/p>\n<p>that was so massively overdriven<br \/>\nI couldn&#8217;t hear the phone ring, didn&#8217;t hear that excitable boy<br \/>\nextol the virtues of Peruvian<\/p>\n<p>over Bolivian marching powder, that excitable <em>hula-hula<\/em> boy,<br \/>\nthe Jackson Browne sound-alike,<br \/>\nwho waited on us in Nobu (Nobu or Koi?)<\/p>\n<p>where the fishionistas (sic) walked the catwalk<br \/>\nfor as long as they could manage a line<br \/>\nof coke with their sushi deluxe,<\/p>\n<p>for as long as they were able for the baby abalone<br \/>\nwith garlic sauce. We watched those two parascenders parascend<br \/>\noff Malibu like two true, plain<\/p>\n<p>hearts who struggle to fend<br \/>\noff the great crash \u2013 two true, plain hearts like yourself and Maureen<br \/>\nwho struggled to fend off the great crash that has us end<\/p>\n<p>where we began, all strung out on heroin<br \/>\non the outskirts of La Caldera,<br \/>\nour last few grains of heroin-ash stashed in a well-wrought urn.<\/p>\n<p>III<\/p>\n<p>I want you to tell me, Warren, if you didn&#8217;t watch those two hang-gliders<br \/>\nand think of the individual we saw drag<br \/>\nhis full-length cross through the under-the-counter-culture<\/p>\n<p>of 42nd Street? 42nd or Canal? A certain individual, whatreck,<br \/>\nwho might easily have taken in a 4 a.m. show at the Clark and got to grips<br \/>\nwith the usherette&#8217;s leg in the dark,<\/p>\n<p>who might have recognized the usherette for a certain demirep<br \/>\nwho&#8217;d registered her domain<br \/>\nin the Adelphi, having already learned the ropes<\/p>\n<p>from the old bluesmen<br \/>\nwho played in the Blue Note. That must have been your first brush<br \/>\nwith greatness, in Chicago, before the mean<\/p>\n<p>streets of LA where your Moses met the bulrush<br \/>\nof Stravinsky and every chord became a cordon sanitaire<br \/>\nagainst the bum&#8217;s rush<\/p>\n<p>your Russian Jewish father had given you in Culver and Century<br \/>\nCities, your G major seeing his G major<br \/>\nin gloves-off gambling, and though music did in the center<\/p>\n<p>sit right through that <em>Wanderjahre<br \/>\n<\/em>with Stravinsky, I&#8217;m certain it would also lean and hearken<br \/>\nafter the jubilation and the jeers<\/p>\n<p>of the boxing ring in which your father took on some cocksure Puerto Rican,<br \/>\nin which every Baby Grand cried out for a Crybaby<br \/>\nand the Everlasting Life we bargain<\/p>\n<p>for was invented by some record company Pooh-Bah<br \/>\nwho has forgotten, in the midst of things,<br \/>\nthat every operation&#8217;s mom-and-pop,<\/p>\n<p>your Scottish Mormon mother teaching you the right swing<br \/>\nagainst your father&#8217;s left, your common<br \/>\nG on the Chickering<\/p>\n<p>sounding against the G-men<br \/>\nwho plagued him about that pyramid scheme he set up in the Faeroes<br \/>\nwith Mr Cambio and Mr Gombeen.<\/p>\n<p>I want you to tell me if grief, brought to numbers, cannot be so fierce,<br \/>\npace Donne&#8217;s sales pitch,<br \/>\nfor he tames, that fetters it in verse,<br \/>\nthrowing up a last ditch<br \/>\nagainst the mounted sorrows, for I have more, Warren, I have more,<br \/>\nmore as an even flame two hearts did touch<\/p>\n<p>and left us mere<br \/>\nphilosophers whose blood still labors to beget<br \/>\nchild-soldiers toasting locust S&#8217;mores,<\/p>\n<p>the A&amp;R men lining their pockets<br \/>\nwhile Roland battled the Bantu to their knees,<br \/>\nthe Bantu who boogie-woogied<\/p>\n<p>with Saint Ignatius<br \/>\nthrough their post traumatic stress disorder,<br \/>\nthe Les Paul pushed through a Pignose<\/p>\n<p>like a, yeah right, Rotorooter<br \/>\nthrough a sewage line, the A&amp;R men taking the mazuma<br \/>\nand crossing the border<\/p>\n<p>to load up on sashimi<br \/>\nwith Yamasaki-san, a headless Childe Roland<br \/>\ncoming to his dark twin Towers of Silence, zoom zoom,<\/p>\n<p>those Towers the Parsis still delineate<br \/>\nas scaffolds for sky-burial, a quorum<br \/>\nof vultures letting their time-chastened lant<\/p>\n<p>fall to their knees as they hold on like grim<br \/>\ndeath to the bellied-up Brian Jones, their office indulgently to fit<br \/>\nactives to passives in the doldrums<\/p>\n<p>of the swimming-pool, the fishionistas (<em>qv<\/em>) with their food fads<br \/>\nhaving nothing on these rare<br \/>\nbirds that divide<\/p>\n<p>the spoils, Warren, these rare<br \/>\nbirds that divide the spoils<br \/>\nwith the gasbag, gobshite, gumptionless A&amp;R<\/p>\n<p>men who couldn&#8217;t tell a hollow-body Les Paul with double-coil<br \/>\npickups pushed through a Princeton Reverb<br \/>\nfrom a slab of London broil<\/p>\n<p>an excitable boy might rub<br \/>\nall over his chest, the vultures working piecemeal<br \/>\nat his chest like the chest on which a Russian Jewish cardsharp<\/p>\n<p>and a Scottish Mormon broke the seal<br \/>\nas surely as one VIP opening her bosom made one Viper Room<br \/>\nan everywhere, every Glock sighing for a glockenspiel,<\/p>\n<p>every frame a freeze-frame<br \/>\nof two alcoholics barreling down to Ensenada<br \/>\nin a little black Corvette, vroom vroom,<\/p>\n<p>for Diet, yeah right, <em>Diet<\/em> Mountain Dew,<br \/>\nthat individual carrying his cross knowing the flesh is a callus<br \/>\non the spirit as surely as you knew the mesotheliomata<\/p>\n<p>on both lungs meant the situation was lose-lose,<br \/>\nevery full-length cross-carrier almost certainly up to some sort of high jinks<br \/>\nelse a great Prince in prison lies,<\/p>\n<p>lies belly-up on a Space Lab scaffold where the turkey buzzards pink<br \/>\nMatsuhisa-san&#8217;s seared <em>toro<\/em>,<br \/>\nturkey buzzards waiting for you to eclipse and cloud them with a wink<\/p>\n<p>as they hold out their wings and of the sun his working vigor borrow<br \/>\nbefore they parascend through the Viper Room or the Whiskey A Go Go,<br \/>\neach within its own \u201ccleansing breeze\u201d, its own <em>cathartes aura<\/em>.<\/p>\n<p>[Published in <em>The Times Literary Supplement<\/em>, June 2, 2006.]<\/p>\n<!-- AddThis Advanced Settings generic via filter on the_content --><!-- AddThis Share Buttons generic via filter on the_content -->","protected":false},"excerpt":{"rendered":"<p>In memory of Warren Zevon I I want you to tell me if, on Grammy night, you didn&#8217;t get one hell of a kick out of all those bling-it-ons in their bullet-proof broughams, all those line-managers who couldn&#8217;t manage a line of coke, all those Barmecides offering beakers of barm \u2013 if you didn&#8217;t get <a href='http:\/\/kuny.ca\/blogs\/2010\/29\/poems\/paul-muldoon\/' class='excerpt-more'>[&#8230;]<\/a><!-- AddThis Advanced Settings generic via filter on get_the_excerpt --><!-- AddThis Share Buttons generic via filter on get_the_excerpt 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